In an Era of Strife, Museums Collect History as It Happens (New York Times)

In April 2015, Aaron Bryant rushed to be there when demonstrations swept through Baltimore on the day of Freddie Gray’s funeral. He filmed protesters angered by Mr. Gray’s death throwing rocks, watched the helicopters overhead and listened to marchers singing hymns.

But Mr. Bryant was neither a police officer nor a participant in the protest. He was a curator for the National Museum of African American History and Culture, there to collect artifacts, testimony and footage as the events unfolded. During the days of protest, he mingled with the crowds, solicited donations of clothing and signs and scooped up posters, fliers and buttons.

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