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Sometimes the historical accuracy of a documentary – its relationship to the historical evidence – may be in conflict with its commercial value as entertainment. . . . To rescue [a film about native life in Samoa] from financial disaster, the producers insisted on adding a prologue and retitling the film. Released as The Love Life of a South Sea Siren, Flaherty's revised documentary opened with scenes of chorus girls in grass skirts. Shortly thereafter, Flaherty fled Hollywood.