Read the July/August Issue of Archival Outlook

In this digital-only edition of Archival Outlook, Armando Suárez offers a case study for how archivists at Princeton University are revising their finding aids to be more inclusive; Kerri Milliken considers what we can learn from condolence collections to document the COVID-19 pandemic; Samantha Meier shares how a reference request at the Northern Arizona University in Flagstaff highlighted scientist Dorothy Hamre's contributions in identifying the coronavirus strain; and members of SAA's Accessibility and Disability Section provide best practices for hiring people with disabilities—plus so much more! Start reading now.

The July/August issue is sponsored by TandDAcademy of Certified ArchivistsAeonHollinger Metal EdgeScene Savers, and Lucidea.

Note: Like many organizations, SAA has been financially affected by the COVID-19 pandemic. To best navigate this difficult time, the July/August 2020 issue of Archival Outlook will not be distributed in print. As always, the digital editions of Archival Outlook are open access.

Table of Contents

14 Comment(s) to the "Read the July/August Issue of Archival Outlook"
114803 says:
fun

 

 

 

It’s inspiring to see how archival work is making knowledge more accessible and inclusive, especially in documenting important events like the pandemic. Speaking of accessibility, it’s great that classic PS2 https://aethersx2-apk.com/ games can now be enjoyed for free on Android, letting more people experience these titles anytime, anywhere. It’s a small reminder of how technology can bring both history and entertainment closer to everyone.

jaber says:
Terraria's first night is a
Terraria's first night is a masterclass in survival horror—no tutorial, just a looming sun, zombies knocking at your door, and a desperate scramble to build anything that resembles shelter. That terror evolves into pure mastery by hour 50, when you're kiting Skeletron across a minecart track you built specifically to cheese his spin attack. The genius is in the dopamine loop: every ore mined could be that last bar for Excalibur, every shadow orb broken might spawn the Vilethorn you need, and every random chest in the underground jungle feels like a slot machine that actually pays out. I've lost 300 hours to this game and still get that same heart-pounding rush when I hear the boss spawn roar. game
jaber says:
paint
What makes Paint genuinely ingenious is how it hides professional complexity behind an interface a third-grader could master—the radial menu puts every tool exactly where your cursor is, the color picker remembers your last five selections for brand consistency, and the undo history tracks up to 50 actions so you can experiment fearlessly. The canvas automatically saves your work every 30 seconds, preventing those soul-crushing crashes that plague more complex software, and the one-click export handles PNG with transparency, high-quality JPEG, and even BMP for legacy systems. For creators who value speed over infinite options, these thoughtful details mean you can go from blank canvas to finished graphic in under two minutes, making Paint the digital equivalent of a sketchpad that's always ready when inspiration strikes. paint3d.org
114900 says:
Finding the right way to

Finding the right way to preserve digital records while staying current with technological shifts is a major theme in this issue of Archival Outlook. To navigate these complexities, many organizations are now collaborating with specialized tech partners like Binary Marvels to implement custom software and AI-driven strategies for better data management. Their expertise in transforming innovative ideas into high-quality digital solutions provides the scalable infrastructure necessary for modern archival success. visit here : https://binarymarvels.com/top-ai-companies-in-pakistan/

114803 says:
Re: Why is Drive Mad game so addictive?

 

 

 

Reading about how archivists are improving access, context, and inclusivity in collections really highlights the value of well-organized knowledge spaces.

In a different but relatable way, HeroWars Olympus shows how curated information, clear structure, and shared insights can help a community better understand and use complex material.

Whether documenting history or gameplay systems, thoughtful organization makes information more usable and meaningful for everyone.

114803 says:
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Even though the Read the July/August Issue of Archival Outlook post focuses on archival practice and professional insights, it’s a good reminder that when preserving or sharing digital content we must be mindful of source legitimacy and safety. For example, using resources like https://instaupapkdl.com/ to download modified Instagram APKs may seem appealing because they’re free, but such third‑party tools can pose security and privacy risks and even violate terms of service. Just as archivists emphasize trusted sources and ethical access in their work, social media users should rely on official apps and vetted tools to protect their digital footprint.

114803 says:
Re: Why is Drive Mad game so addictive?

 

 

 

Reading about how archivists are improving access, context, and inclusivity in collections really highlights the value of well-organized knowledge spaces.

In a different but relatable way, HeroWars Olympus shows how curated information, clear structure, and shared insights can help a community better understand and use complex material.

Whether documenting history or gameplay systems, thoughtful organization makes information more usable and meaningful for everyone.

112405 says:
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112430 says:
sand crush

Sometimes, managing and understanding such vast amounts of information can feel like a puzzle, trying to keep track of every detail before it all becomes a sand crush  of data.

112430 says:
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It reminds me of the dedication needed in any field. Sometimes, though, you just need a break with something totally different, like a game where you really need to bring your unmatched ego to the field!

Vitto says:
Hi folks!

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110681 says:
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115130 says:
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